• Northern Colorado flower growers embrace  season of rest and and reimagining

    Northern Colorado is expecting its first snowfall of the year, a reminder that the growing season is officially over. For longtime local flower growers Sue Miller of Blush Flowers on Vine and Debbie Miller of The Farmer’s Wife Flowers, the timing lines up with the winding down of their field tasks and the beginning of next year’s planning.

    Thankfully for Sue and Debbie, fall’s tasks are usually fewer than spring’s. Perennials are mulched and some are cut back, irrigation systems are winterized, Dahlia tubers are dug up, and equipment is stored—but the overall fall workload is lighter because of a field management philosophy both have adopted.

    Sue and Debbie use an ecological approach that differs from many growers: they leave their annual crops standing through the winter. Instead of clearing beds in the fall, they let the dried plants remain in place until spring. This minimizes unnecessary soil disturbance which protects it from erosion, helps reduce weed pressure, and supports insect and wildlife habitat. Dried stalks, stems and seed heads provide pleasing texture and movement during the stark winter months. 


    The fall and winter months are also when growers review their notes, catch up on the books, and make calculated business decisions. Deciding what and how much to grow for the 2026 season is a complicated figuring this year for Sue and Debbie who have both been and will continue to be impacted by two recent and significant changes in the region’s floral industry.

    In March 2024, the region’s largest buyer of local flowers—Palmer Flowers—was acquired by the Midwestern company Family Flowers– a large, privately owned floral enterprise that operates legacy flower shops nationwide. After the acquisition, Family Flowers ended Palmer’s former practice of purchasing seasonal flowers directly from area farms.

    This policy change greatly affected the Northern Colorado Flower Community, a cooperative wholesale collective that served as a primary market for many local growers. The collective announced earlier this month that it was shutting down and closing it’s warehouse.

    For Sue, the loss of both markets is significant. For the last two years she has grown exclusively for wholesale purchasers. She plans on adapting by scaling back her operation and focusing more on dried flower production that is easier to sell in Denver markets.

    Debbie was greatly impacted this year by Palmer’s changing policy. They had been her primary revenue stream, selling up to 75% of her product to them directly in years past. She plans to streamline her business and plantings to accommodate a cut-your-own operation and more easy pick varieties. Additionally, she plans to market more as a venue for photography, events, and workshops.

    Aside from concerns about the viability of their present growing operations, both farmers are concerned about the access to and support for local flowers in our area. Despite the uncertain seasons ahead, Sue and Debbie remain optimistic and committed to growing in the future. The local changes create new challenges and opportunities for a community that has always been hard working and resilient.



  • Backyard Ikebana: an interview with Kiev Kirby of Wabi Sabi Hobo

    Also known as Kadō, or the “way of flowers” ikebana is the centuries-old Japanese art of flower arrangement. Its origins date back to the sixth century when Chinese monks introduced Buddhism to Japan, and with it the practice of offering simple altar flowers for worship and ceremony. This practice evolved over time into the more formalized art of ikebana with its countless codified schools, techniques and grandmasters.

    Traditional Ikebana style centers on a handful of core design and spiritual principles: it embraces seasonality, using materials that reflect the current moment in nature and celebrating impermanence. Its compositions emphasize negative space, asymmetry and balance, are often built around three lines symbolizing heaven, humanity, and earth. Ikebana arrangements seek harmony, balance, and quiet. 

    Kiev Kirby doesn’t want you to worry too much about what ikebana is supposed to be though. Kirby, an antique dealer and collector who calls himself and his business the Wabi Sabi Hobo, became an ikebana enthusiast when he started collecting hanakago, the Japanese baskets used to gather and display Ikebana floral material.  

    The botanical art form and the baskets are both intriguing to Kirby as they uphold his namesake principle of wabi-sabi which appreciates simplicity, imperfection, and the quiet beauty of natural materials.

    This is what Kirby invites us to consider as we step into our backyards looking for ikebana inspiration this fall. “People can feel overwhelmed with the historical and formal rules of ikebana.” Kirby fears. “In our modern times, filled with so much stress and concern, ikebana is accessible to anyone who loves beauty.” Kirby recommends avoiding complexity when heading outdoors to gather material. Instead he hopes we feel inspired by the simplicity of going into our yards to “find a twig, a a spray of leaves, and a little flower” to engage with the essence of ikebana.

    Photo by Mikhail Nilov on Pexels.com

    The traditional considerations of ikebana are meant to guide the artist toward deep meditation and expression, but to newcomers, the precise rules and structured forms might feel rigid or limiting.

    Some ideas for how to celebrate backyard ikebana:

    Photo by: Lauren Morgan

    All of these combine into a meditative practice that exists not only as a decorative art but as a personal expression of harmony with nature.


  • Repurposed Celebration of Life flowers continue to spread joy and awareness

    Over a weekend of remembrance and mourning, friends and family of long-time Fort Collins, Colorado community member, Brian Jasper Hall gathered to honor his life, his many contributions, and his recent passing. Hall, after a lifelong struggle with depression, lost his battle on October 20, 2025 and died by suicide. A memorial gathering was held on Saturday, November 8, 2025 and a Celebration of Life brunch took place the following day. Both events were filled with the outpouring of love, grief and support from hundreds of guests, along with stories, music, food, and flowers. 

    The flowers, which were locally purchased and arranged by friends of the family, were spread throughout the venues both days. Photos of Hull and his family were propped against the mason jar vases filled with autumn hued fresh flowers and dried grasses.

    Mélina Bernhardt, Hull’s wife of 25 years, and the organizer of both events, is a passionate believer in creative, purposeful reuse and upcycling of materials. Additionally, she is a committed advocate of mental health awareness. With these two concerns in mind, Bernhardt worked with a friend to ensure the flowers went to new recipients following the weekend’s events. Rather than heading to the garbage or compost, the floral arrangements were gathered up, refreshed, rearranged, and then donated to community partners whose work supports suicide prevention.

    Donated flowers are given clean water and a fresh trim (Photo; Lauren Morgan)
    Volunteers arrange refreshed flowers for next day delivery (Photo; Lauren Morgan)

    Giving flowers a meaningful second life through community donation is a growing phenomenon. Around the world community groups are finding new purpose for flowers used in memorials, weddings and special events, choosing to donate rather than discard them after the occasion ends. The trend is part of a broader movement to reduce floral waste, extend the life of perishable blooms and bring comfort to people in hospitals, senior homes and nonprofit programs such as the Alliance For Suicide Prevention of Larimer County.

    Kim Moeller carries donated arrangements to her office where community partners and suicide loss survivors can pick them up. (Photo; Lauren Morgan)

    Kim Moeller, the organization’s Executive Director was excited to receive the donation and help distribute the flowers to the non-profit agencies housed within the United Way Community Impact Center where she works. Moeller sent out a center-wide email offering arrangements to anyone who might need “a little extra joy in their life”- suicide loss survivors, support group members, or the staff and support providers themselves.

    Research has long supported the mental health benefits of exposure to flowers. Many organizations including Moeller’s attest to the therapeutic and mood-boosting impact of receiving flowers and are welcoming of donated event florals. “Suicide prevention for us is anything that brings, hope, healing, and joy to the community.” stated Moeller. “For these flowers to go to any of these community partners is suicide prevention.”

     If you or someone you know is in need of mental health support you can call/text/chat the free 24/7, Colorado Mental Health-line at 988 or visit https://allianceforsuicideprevention.org/ to connect to community resources for programs, prevention, and grief support.

    If you would like to partner with or support the budding non-profit organization working to repurpose event florals in our NOCO community, please contact Lauren Morgan at lolomorgan@gmail.com.

  • 7 Questions to Jacqueline Thain of Rue and Pear Flower Co. about why she’s a forager

    Foraging for material is an emerging trend in floral design and autumn is the perfect time to appreciate it here in Northern Colorado. For Jacqueline Thain of Rue and Pear Flower Co., based out of Loveland, gathering materials from the landscape isn’t just economical or creative; it’s a mindful practice that adds depth, contrast, and authenticity to her work. In this Q&A, Jacqueline shares how  foraging enriches her artistry—and how a little wildness can beautifully transform intentional design.

    Thanks for taking your time and sharing your insights about foraging with me Jacqueline!

    Do you often use foraged material in your floral design work?

    Thanks for thinking of me! And, yes! I went foraging today. But it was cut short because my youngest stepped on a hornet nest!

    Yikes! So there’s some risk involved, ha ha. I’m wondering about why you work with foraged material in your design work? How do you go about it?

    When I work with foraged materials, it usually happens in one of two ways:

    1. I already know the material exists and where to find it, so it becomes part of my mental catalog.
    2. I sense something is missing-sometimes a specific need, other times just intuition- and I go searching, trusting I’ll be able to find the right element. 

    Is it a creative choice or one of necessity?

    Both

    Do clients notice and/or enjoy the addition of foraged material?

    It’s interesting- if a foraged element is transformed or goes unrecognized, people usually love it. I have one client who hates Dock, but I love working with it. To me it’s very similar to Atriplex and Amaranthus. I’ve even used Dock in designs for her, and she didn’t notice until I pointed it out. She begrudgingly admitted it was beautiful. 

    Some people, though, will label it a “weed” and make comment. I think it depends on the personality of the person and whether or not they previously labeled the plant a weed. 

    How would you describe the impact of this material in your design work- more wild, natural feeling, etc.? 

    I am a very intentional designer, so when I use foraged material, it’s always in alignment with the overall vision. Take Curly Dock for example. It can look elegant rather than wild or weedy. 

    Are foraged material essential ingredients in your floral “recipes”?

    To me, my role is to take raw material, whether from the field, the tunnel, or foraged and transform it into something that is the desired outcome for both myself and my clients. 

  • Dia de los Muertos Marigolds